alb3627632

EDWARD SHEFFIELD BARTHOLOMEW. Blind Homer Led by the Genius of Poetry

Blind Homer Led by the Genius of Poetry. Artist: Edward Sheffield Bartholomew (1822-1858). Dimensions: 29 3/4 x 20 3/8 in. (75.6 x 51.8 cm)
Framed: 36 1/2 x 27 1/8 x 3 3/4 in. (92.7 x 68.9 x 9.5 cm). Date: 1851.
One of many American neoclassical sculptors who worked on Italy during the mid-nineteenth century, Bartholomew had a brief but successful career. "Blind Homer Led by the Genius of Poetry" attests to his command of the illusionistic and technical challenges of relief sculpture. The figures project convincingly as Poetry leads Homer across a plinth. They are dressed in classical garb that clings to their bodies yet falls in stylizing folds, suggesting the pull between realism and idealism often evident in mid-nineteenth-century American sculpture. This relief--and indeed many by Bartholomew and other Americans--reflects the profound influence of Italian sculptor Antonio Canova, especially in the crisp linearity of form and refined carving. The marble is surrounded by its original gilt frame.

Teilen
Pinterest
Twitter
Facebook
Link kopieren
Email

Zu einem anderen Lightbox hinzufügen

Haben Sie bereits ein Konto? Anmelden

Sie haben kein Konto? Registrieren

Dieses Bild kaufen

Autor:

EDWARD SHEFFIELD BARTHOLOMEW (1822-1858)

Titel:

Blind Homer Led by the Genius of Poetry

Untertitel: Siehe automatische Übersetzung

Blind Homer Led by the Genius of Poetry. Artist: Edward Sheffield Bartholomew (1822-1858). Dimensions: 29 3/4 x 20 3/8 in. (75.6 x 51.8 cm) Framed: 36 1/2 x 27 1/8 x 3 3/4 in. (92.7 x 68.9 x 9.5 cm). Date: 1851. One of many American neoclassical sculptors who worked on Italy during the mid-nineteenth century, Bartholomew had a brief but successful career. "Blind Homer Led by the Genius of Poetry" attests to his command of the illusionistic and technical challenges of relief sculpture. The figures project convincingly as Poetry leads Homer across a plinth. They are dressed in classical garb that clings to their bodies yet falls in stylizing folds, suggesting the pull between realism and idealism often evident in mid-nineteenth-century American sculpture. This relief--and indeed many by Bartholomew and other Americans--reflects the profound influence of Italian sculptor Antonio Canova, especially in the crisp linearity of form and refined carving. The marble is surrounded by its original gilt frame.

Technik/Material:

MARMOL

Museum:

Metropolitan Museum of Art, New York, USA

Bildnachweis:

Album / Metropolitan Museum of Art, NY

Freigaben (Releases):

Model: Nein - Eigentum: Nein
Rechtefragen?

Bildgröße:

3276 x 4094 px | 38.4 MB

Druckgröße:

27.7 x 34.7 cm | 10.9 x 13.6 in (300 dpi)

Schlüsselwörter:

EDWARD SHEFFIELD BARTHOLOMEW • MARMOR • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • NORTH AND CENTRAL AMERICA • UNITED STATES