lightboxen
Einkaufswagen
alb3637212

LÁSZLÓ MOHOLY-NAGY. Dolls on the Balcony

LÁSZLÓ MOHOLY-NAGY. Dolls on the Balcony. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.). Date: 1926. Moholy-Nagy took this photograph in 1926 while on holiday in Ascona, Switzerland, with Oscar Schlemmer, a fellow instructor at the Bauhaus, and the Schlemmer family. It was published in 1927 in the second revised and English editions of Moholy's "Painting, Photography, and Film" with the caption, "The organisation of the light and shade, the criss-crossing of the shadows removes the toy into the realm of the fantastic." The image projects a Constructivist organization of space in the way vertical and horizontal surfaces are unified in a single plane by an overall pattern of light and shade. The insistent presence of the grid conveys a deeply ominous feeling, the disjunction between its shadows and the vulnerable bodies of the two caged dolls creating a sense of foreboding violence more typical of Surrealism than of the mechanized utopias of Constructivist art.
Teilen
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Zu einem anderen Lightbox hinzufügen

Zu einem anderen Lightbox hinzufügen
add to lightbox print share
Haben Sie bereits ein Konto? Anmelden
Sie haben kein Konto? Registrieren
Dieses Bild kaufen
Daten werden geladen...
Autor:
Titel:
Dolls on the Balcony
Untertitel: Siehe automatische Übersetzung
Dolls on the Balcony. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.). Date: 1926. Moholy-Nagy took this photograph in 1926 while on holiday in Ascona, Switzerland, with Oscar Schlemmer, a fellow instructor at the Bauhaus, and the Schlemmer family. It was published in 1927 in the second revised and English editions of Moholy's "Painting, Photography, and Film" with the caption, "The organisation of the light and shade, the criss-crossing of the shadows removes the toy into the realm of the fantastic." The image projects a Constructivist organization of space in the way vertical and horizontal surfaces are unified in a single plane by an overall pattern of light and shade. The insistent presence of the grid conveys a deeply ominous feeling, the disjunction between its shadows and the vulnerable bodies of the two caged dolls creating a sense of foreboding violence more typical of Surrealism than of the mechanized utopias of Constructivist art.
Technik/Material:
Gelatin silver print
Museum:
Metropolitan Museum of Art, New York, USA
Bildnachweis:
Album / Metropolitan Museum of Art, NY
Copyright:
© Laszlo Moholy-nagy, VEGAP.
Das Urheberrecht des Künstlers muss liquidiert werden, wenn das Werk in dem Land, für das die Lizenz abgeschlossen wird, nicht gemeinfrei ist.
Um die Bilder der Autoren zu reproduzieren, deren Rechte von Visual Entidad de Gestión de Artistas Plásticos (VEGAP) verwaltet werden, ist es zwingend erforderlich, ihre Genehmigung einzuholen, die der Zahlung ihrer allgemeinen Gebühren unterliegt.
Freigaben (Releases):
Model: Nein - Eigentum: Nein
Rechtefragen?
Bildgröße:
3235 x 4235 px | 39.2 MB
Druckgröße:
27.4 x 35.9 cm | 10.8 x 14.1 in (300 dpi)
Schlüsselwörter: