alb3661501

PAINTING BY HABIBALLAH OF SAVA. "The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds)

"The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds). Artist: Painting by Habiballah of Sava (active ca. 1590-1610). Author: Farid al-Din `Attar (ca. 1142-1220). Dimensions: Painting: H. 10 in. (25.4 cm)
W. 4 1/2in. (11.4cm)
Page: H. 13 in. (33 cm)
W. 8 3/16 in. (20.8 cm)
Mat: H. 19 1/4 in. (48.9 cm)
W. 14 1/4 in. (36.2 cm). Date: ca. 1600.
The illustration on this folio depicts a scene from a mystical poem, Mantiq al-tair (Language of the Birds), written by a twelfth-century Iranian, Farid al-Din 'Attar. The birds, which symbolize individual souls in search of the simurgh (a mystical bird representing ultimate spiritual unity), are assembled in an idyllic landscape to begin their pilgrimage under the leadership of a hoopoe (perched on a rock at center right). The careful, harmonious composition is consistent with that of the late fifteenth-century Timurid miniatures also in the manuscript, but three factors indicate that this image is later: the presence of the hunter, who has no place in the narrative; his firearm, a weapon that gained currency in Iran after the mid-sixteenth century; and the signature of the late sixteenth- to early seventeenth-century artist Habiballah.

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Autor:

PAINTING BY HABIBALLAH OF SAVA (active ca. 1590-1610)

Titel:

"The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds)

Untertitel: Siehe automatische Übersetzung

"The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds). Artist: Painting by Habiballah of Sava (active ca. 1590-1610). Author: Farid al-Din `Attar (ca. 1142-1220). Dimensions: Painting: H. 10 in. (25.4 cm) W. 4 1/2in. (11.4cm) Page: H. 13 in. (33 cm) W. 8 3/16 in. (20.8 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1600. The illustration on this folio depicts a scene from a mystical poem, Mantiq al-tair (Language of the Birds), written by a twelfth-century Iranian, Farid al-Din 'Attar. The birds, which symbolize individual souls in search of the simurgh (a mystical bird representing ultimate spiritual unity), are assembled in an idyllic landscape to begin their pilgrimage under the leadership of a hoopoe (perched on a rock at center right). The careful, harmonious composition is consistent with that of the late fifteenth-century Timurid miniatures also in the manuscript, but three factors indicate that this image is later: the presence of the hunter, who has no place in the narrative; his firearm, a weapon that gained currency in Iran after the mid-sixteenth century; and the signature of the late sixteenth- to early seventeenth-century artist Habiballah.

Technik/Material:

Ink, opaque watercolor, gold, and silver on paper

Museum:

Metropolitan Museum of Art, New York, USA

Bildnachweis:

Album / Metropolitan Museum of Art, NY

Freigaben (Releases):

Model: Nein - Eigentum: Nein
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Bildgröße:

2857 x 4264 px | 34.9 MB

Druckgröße:

24.2 x 36.1 cm | 9.5 x 14.2 in (300 dpi)

Schlüsselwörter:

ASIA • ATTRIBUTED TO IRAN, ISFAHAN • IRAN • ISFAHAN • ISLAMISCHE KUNST • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • PAINTING BY HABIBALLAH OF SAVA • TINTE