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Furniture plaque carved in relief with sphinx

Furniture plaque carved in relief with sphinx. Culture: Assyrian. Dimensions: 2.44 x 2.99 x 0.31 in. (6.2 x 7.59 x 0.79 cm). Date: ca. 9th-8th century B.C.. This carved ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a winged, human-headed sphinx striding to the right, framed above and below by a plain flat border. A plant grows behind the sphinx's body, with a stem visible under the belly and a row of three leaves or fronds rising above the edge of the wing. The sphinx has plump cheeks, a large beaked nose, a small mouth, and a receding chin; its hair is dressed in separate long plaits, one ending in a curl behind the shoulder and one extending over the chest. The body is stocky and muscular, and the flexed hindquarters are skillfully modeled to convey the creature's imposing physicality. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid to create a dazzling effect of gleaming surfaces and bright colors. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
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Titel:
Furniture plaque carved in relief with sphinx
Untertitel: Siehe automatische Übersetzung
Furniture plaque carved in relief with sphinx. Culture: Assyrian. Dimensions: 2.44 x 2.99 x 0.31 in. (6.2 x 7.59 x 0.79 cm). Date: ca. 9th-8th century B.C.. This carved ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a winged, human-headed sphinx striding to the right, framed above and below by a plain flat border. A plant grows behind the sphinx's body, with a stem visible under the belly and a row of three leaves or fronds rising above the edge of the wing. The sphinx has plump cheeks, a large beaked nose, a small mouth, and a receding chin; its hair is dressed in separate long plaits, one ending in a curl behind the shoulder and one extending over the chest. The body is stocky and muscular, and the flexed hindquarters are skillfully modeled to convey the creature's imposing physicality. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid to create a dazzling effect of gleaming surfaces and bright colors. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Technik/Material:
MARFIL
Zeitraum:
NEOASIRIO
Museum:
Metropolitan Museum of Art, New York, USA
Bildnachweis:
Album / Metropolitan Museum of Art, NY
Freigaben (Releases):
Model: Nein - Eigentum: Nein
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Bildgröße:
3439 x 3226 px | 31.7 MB
Druckgröße:
29.1 x 27.3 cm | 11.5 x 10.8 in (300 dpi)
Schlüsselwörter:
ANATOMIE: KNOCHEN • ASIA • IRAK • KNOCHEN • MESOPOTAMIA, NIMRUD (ANCIENT KALHU) • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • NIMRUD