alb9819844

To falsely incriminate her man; Hamnaz places a knife next to him and lets the blood dripping from her nose stain his clothes; from a Tuti-nama; Tales of a Parrot. Tutinama; Tales of a Parrot; is a series of 52 stories in Persian dating from the 14th century; in the 16th century Mughal Emperor Agbar commissioned an illustrated version; Twenty-fifth Night; c. 1560. Mughal India; Court of Akbar (ruled 1556-1605) .; Historical; Digitally Restored.

To falsely incriminate her man; Hamnaz places a knife next to him and lets the blood dripping from her nose stain his clothes; from a Tuti-nama; Tales of a Parrot. Tutinama; Tales of a Parrot; is a series of 52 stories in Persian dating from the 14th century; in the 16th century Mughal Emperor Agbar commissioned an illustrated version; Twenty-fifth Night; c. 1560. Mughal India; Court of Akbar (ruled 1556-1605) .; Historical; Digitally Restored.
Share
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Add to another lightbox

Add to another lightbox

add to lightbox print share
Do you already have an account? Sign in
You do not have an account? Register
Buy this image
Loading...
Caption:
To falsely incriminate her man; Hamnaz places a knife next to him and lets the blood dripping from her nose stain his clothes; from a Tuti-nama; Tales of a Parrot. Tutinama; Tales of a Parrot; is a series of 52 stories in Persian dating from the 14th century; in the 16th century Mughal Emperor Agbar commissioned an illustrated version; Twenty-fifth Night; c. 1560. Mughal India; Court of Akbar (ruled 1556-1605) .; Historical; Digitally Restored
Credit:
Album / ImageBroker / Sunny Celeste
Releases:
Model: No - Property: No
Rights questions?
Image size:
402 x 600 px | 706.6 KB
Print size:
3.4 x 5.1 cm | 1.3 x 2.0 in (300 dpi)
Keywords:
1 PERSON; 14TH CENTURY; 16TH C.; 16TH CENTURY; ANIMALS IN THE WILD; ANIMALS; ANIMAL; ASIA; ATMOSPHERE; ATMOSPHERIC; AT NIGHT; ATTIRE; AVES; BIRDS; BIRD; BLACK-AND-WHITE; BLACK-WHITE; BLACK AND WHITE; BLACK; BLOOD; BUILDINGS; BUILDING; CLOTHES; CLOTHING; COLOURING; CONSTRUCTION; CONTEMPORARY; COPY; COUNTRYSIDE; COURTYARDS; COURTYARD; COURT; DARKNESS; DARK; DEPICTIONS; DEPICTION; DIGITALLY; DIGITAL; DRAWINGS; DRAWING; DRAWN; DRESS; DRIPPING; DRIP; EMPERORS; EMPEROR; FAIRY TALES; FAIRY TALE; FORMERLY; FORMER; GUY; HISTORICAL ILLUSTRATION; HISTORICAL; HISTORIC ILLUSTRATIONS; HISTORIC ILLUSTRATION; HISTORIC; HISTORY; HUMAN BEING; ILLUSTRATIONS; ILLUSTRATION; IMAGE MOTIF; IMAGE SEQUENCES; IMAGE SEQUENCE; IMAGE; INDIAN; INDIA; INNER COURTYARD; IN THE MIDDLE AGES; IRAN; ISLAMIC REPUBLIC OF IRAN; KNIFE; KNIVES; LANDSCAPE PHOTO; LANDSCAPE SHOT; LANDSCAPES; LANDSCAPE; LEGENDARY; LEGENDS; LEGEND; MALES; MALE; MAN; MEDIAEVAL; MEDIEVAL; MEN; MIDDLE AGES; MIDDLE EAST; MIDEAST; MID EAST; MOOD; MOTIF; MYTH; NATURE; NEAR EAST; NIGHT PHOTOGRAPH; NIGHT PHOTO; NIGHT PICTURE; NIGHTSHOT; NIGHT SHOT; NIGHT VIEW; NIGHT; NOCTURNAL; NOSES; NOSE; OLD; ONE PERSON; PARROTS; PARROT; PATIO; PEOPLE; PERSIAN; PERSIA; PERSONS; PERSON; PHOTOGRAPHIC REPRODUCTIONS; PHOTOGRAPHIC REPRODUCTION; PSITTACIFORMES; PSITTACINE; RECONSTRUCTION; REFURBISHMENT; REPLICATION; REPLICA; REPRESENTATION; REPRODUCTION; RESTORATIONS; RESTORATION WORK; RESTORATION; RESTORED; SAGA; SCENERY; SEQUENCES; SEQUENCE; SERIES; SINGLE PERSON; SIXTEENTH CENTURY; SKETCH; SOUTHWEST ASIA; SOUTHWESTERN ASIA; STORIES; STORY; STRUCTURE; TALE; THE 1500S; VALLEYS; VALLEY; VINTAGE; WEST ASIA; WESTERN ASIA; WHITE; WILD ANIMALS; WILD ANIMAL; WILDLIFE; WOODCUTS; WOODCUT; WOODPRINT; XYLOGRAPH; YARD