alb4599513

Prayer Niche (Mihrab), early 1600s. Creator: Unknown.

Prayer Niche (Mihrab), early 1600s. The prayer niche (mihrab in Arabic) is the focal point in the interior of a mosque. It is located in the qibla wall which is oriented toward Mecca, the holy city of Islam. Muslims face the qibla wall during prayer. This mihrab is an excellent example of different design elements-calligraphy, plants, and geometry-integrated into a beautiful harmonious whole. Graduated colours and sizes contribute to its success. The dominant white glaze presents the most important verses from the Qur?an written in elegant thuluth script which frames the niche. White glaze also outlines geometric patterns and arabesque vines. Less conspicuous turquoise glaze forms secondary designs such as curving vines behind the stunning calligraphy. Curved and straight lines are juxtaposed, enhanced with additional colours of mustard-yellow and aubergine on the deep blue ground. The design is formed with individual pieces of tile in the ceramic mosaic technique. Segments are cut according to the pattern from monochrome tiles with a chisel and their edges smoothed with a file. The pieces are then arranged face down according to a pattern and covered with plaster in manageable sections to install.
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Title:
Prayer Niche (Mihrab), early 1600s. Creator: Unknown.
Caption:
Prayer Niche (Mihrab), early 1600s. The prayer niche (mihrab in Arabic) is the focal point in the interior of a mosque. It is located in the qibla wall which is oriented toward Mecca, the holy city of Islam. Muslims face the qibla wall during prayer. This mihrab is an excellent example of different design elements-calligraphy, plants, and geometry-integrated into a beautiful harmonious whole. Graduated colours and sizes contribute to its success. The dominant white glaze presents the most important verses from the Qur?an written in elegant thuluth script which frames the niche. White glaze also outlines geometric patterns and arabesque vines. Less conspicuous turquoise glaze forms secondary designs such as curving vines behind the stunning calligraphy. Curved and straight lines are juxtaposed, enhanced with additional colours of mustard-yellow and aubergine on the deep blue ground. The design is formed with individual pieces of tile in the ceramic mosaic technique. Segments are cut according to the pattern from monochrome tiles with a chisel and their edges smoothed with a file. The pieces are then arranged face down according to a pattern and covered with plaster in manageable sections to install.
Credit:
Album / Heritage Art/Heritage Images
Releases:
Model: No - Property: No
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Image size:
3376 x 3968 px | 38.3 MB
Print size:
28.6 x 33.6 cm | 11.3 x 13.2 in (300 dpi)