Woodcut, Foetus quaternis brachiis et pedibus, person with four arms and legs, Aldrovandi, Historia Monstrorum, 1642, Renaissance.

4 • ABNORMALITIES • AGE • ÂGÉS • ART PRINT • ART PRINTS • ART • ARTS AND CRAFTS • ARTS • ARTWORK • ARTWORKS • BIOLOGY • BLACK AND WHITE • BLACK-AND-WHITE • BLACK-WHITE • BOOK PRINTER • CADRE • CENTURIES • CENTURY • CRAFTING • DEFORMITIES • DEFORMITY • DEPICTION • DEPICTIONS • DRAWING • DRAWINGS • FIGURE • FIGURES • FOUR • GOOD • HAND • HANDCRAFT • HANDCRAFTED GOOD • HANDICRAFT • HANDICRAFTS • HANDMADE GOOD • HANDMADE GOODS • HANDS • HISTORIC • HISTORICAL • HISTORY • IMAGE MOTIF • IMAGES • IMPRESOR • IN PAINTINGS • INTERIORS: IN PAINTINGS • ITEM • ITEMS • LABOR • LABOUR • METHOD • METHODS • MUTATION • MUTATIONS • MYTHICAL CREATURE • MYTHICAL CREATURES • NATURAL HISTORY • NATURAL SCIENCE • NATURAL SCIENCES • NATURE STUDY • OLD AGE • OLD • ORGANISM • ORGANISMS • PAINT • PAINTING (ACTIVITY) • PAINTING • PAINTINGS • PAINTS • PERSON • PERSONS • PICTURE • PICTURES • PRESSURE • PRESSURES • PRINT • PRINTER • PRINTERS • PRINTING METHOD • PRINTING METHODS • PRINTING • PRINTS • PROCEDURE • PROCEDURES • PROCESS • RENAISSANCE • SCIENCE • SCIENCES • SCIENTIFIC RESEARCH • SKETCH • TECHNIQUE • TECHNOLOGIES • TECHNOLOGY • TRADE: PRINTER • WOODCUT • WOODCUTS • WORK • WORKING • WORKS • XYLOGRAPH • XYLOGRAPHY