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UTAGAWA HIROSHIGE. Dye House at Konya-cho, Kanda

Dye House at Konya-cho, Kanda. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 13 in. (33 cm); W. 8 1/2 in. (21.6 cm). Date: 1857.
In Hiroshige's day, anybody who knew Edo could recognize the city's three most prominent landmarks: distant Mount Fuji, Chiyoda Castle, and Nihon Bridge. Thus, the inclusion of the castle nestled in the townscape and Mount Fuji on the horizon leaves no doubt that this is an Edo scene. But while these features were de rigueur in depictions of the capital, positioning the viewpoint amid the windblown textiles of a dyer's drying platform was Hiroshige's innovation. He views Edo from Konya-cho, a street in the tradesmen's section of town where all the professional cloth dyers were clustered.
The strips of cloth hanging in the wind are to be cut into tenugui (or towels), which men tie around their heads during the autumn festival. Thus, we know that autumn is depicted here and that the festival is near at hand.
Again, cropping is used to thrust the dynamic forms of the foreground subject matter virtually on top of the viewer. The juxtaposition of various sizes of textiles, hanging like banners, lends an animated sense of rhythm to the composition. A small bird flying by itself in the middle of the sky adds a piquant touch.

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Autor:

UTAGAWA HIROSHIGE (1797-1858)

Título:

Dye House at Konya-cho, Kanda

Descripción: Ver traducción automática

Dye House at Konya-cho, Kanda. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 13 in. (33 cm); W. 8 1/2 in. (21.6 cm). Date: 1857. In Hiroshige's day, anybody who knew Edo could recognize the city's three most prominent landmarks: distant Mount Fuji, Chiyoda Castle, and Nihon Bridge. Thus, the inclusion of the castle nestled in the townscape and Mount Fuji on the horizon leaves no doubt that this is an Edo scene. But while these features were de rigueur in depictions of the capital, positioning the viewpoint amid the windblown textiles of a dyer's drying platform was Hiroshige's innovation. He views Edo from Konya-cho, a street in the tradesmen's section of town where all the professional cloth dyers were clustered. The strips of cloth hanging in the wind are to be cut into tenugui (or towels), which men tie around their heads during the autumn festival. Thus, we know that autumn is depicted here and that the festival is near at hand. Again, cropping is used to thrust the dynamic forms of the foreground subject matter virtually on top of the viewer. The juxtaposition of various sizes of textiles, hanging like banners, lends an animated sense of rhythm to the composition. A small bird flying by itself in the middle of the sky adds a piquant touch.

Técnica/material:

Polychrome woodblock print; ink and color on paper

Periodo:

Edo period (1615-1868)

Museo:

Metropolitan Museum of Art, New York, USA

Crédito:

Album / Metropolitan Museum of Art, NY

Autorizaciones:

Modelo: No - Propiedad: No
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Tamaño imagen:

2888 x 4234 px | 35.0 MB

Tamaño impresión:

24.5 x 35.8 cm | 9.6 x 14.1 in (300 dpi)

Palabras clave:

ARTE ASIATICO • ASIA • BLOQUES DE MADERA • GRABADOS EN MADERA • IMPRESIONES EN RELIEVE • JAPON • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • PAPEL • TINTA • UTAGAWA HIROSHIGE