alb3659475

REISAI. Fenggan, Hanshan, and Shide

Fenggan, Hanshan, and Shide. Artist: Reisai (Japanese, active ca. 1430-50). Culture: Japan. Dimensions: Image (a): 37 7/8 × 13 5/8 in. (96.2 × 34.6 cm)
Overall with mounting (a): 72 15/16 × 18 11/16 in. (185.3 × 47.5 cm)
Overall with knobs (a): 72 15/16 × 20 5/16 in. (185.3 × 51.6 cm)
Image (b): 37 15/16 × 13 9/16 in. (96.3 × 34.5 cm)
Overall with mounting (b): 72 5/8 × 18 11/16 in. (184.5 × 47.4 cm)
Overall with knobs (b): 72 5/8 × 20 1/4 in. (184.5 × 51.5 cm). Date: first half of the 15th century.
From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on China's Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings--once the flanking scrolls of an iconic triptych--bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Mincho (1352-1431), an artist active in the painting atelier of the Zen monastery Tofukuji in Kyoto.

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Auteur:

REISAI (active ca. 1430-50)

Titre:

Fenggan, Hanshan, and Shide

Légende: Voir la traduction automatique

Fenggan, Hanshan, and Shide. Artist: Reisai (Japanese, active ca. 1430-50). Culture: Japan. Dimensions: Image (a): 37 7/8 × 13 5/8 in. (96.2 × 34.6 cm) Overall with mounting (a): 72 15/16 × 18 11/16 in. (185.3 × 47.5 cm) Overall with knobs (a): 72 15/16 × 20 5/16 in. (185.3 × 51.6 cm) Image (b): 37 15/16 × 13 9/16 in. (96.3 × 34.5 cm) Overall with mounting (b): 72 5/8 × 18 11/16 in. (184.5 × 47.4 cm) Overall with knobs (b): 72 5/8 × 20 1/4 in. (184.5 × 51.5 cm). Date: first half of the 15th century. From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on China's Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings--once the flanking scrolls of an iconic triptych--bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Mincho (1352-1431), an artist active in the painting atelier of the Zen monastery Tofukuji in Kyoto.

Technique/matériel:

Pair of hanging scrolls; ink and color on paper

Période:

Muromachi period (1392-1573)

Musée:

Metropolitan Museum of Art, New York, USA

Crédit:

Album / Metropolitan Museum of Art, NY

Le droit d'auteur de l'artiste doit être liquidé si l'œuvre n'est pas dans le domaine public dans le pays pour lequel la licence est contractée.

Autorisations:

Modèle: Non - Propriété: Non
Questions sur les droits?

Taille de l'image:

3150 x 4200 px | 37.9 MB

Taille d'impression:

26.7 x 35.6 cm | 10.5 x 14.0 in (300 dpi)

Mots clés:

ART ASIATIQUE • ASIA • ENCRE • JAPON • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • REISAI