alb4568442

Arab-Moorish mosaic and glazed clay work, (1898). Creator: Unknown.

Arab-Moorish mosaic and glazed clay work, (1898). 'Arabian-Moresque - Mosaic Work, Faïence - Figs 1, 3 and 4: Wainscottings of glazed clay from the Alhambra [Granada, Spain]. Fig 2: Wainscotting of glazed clay from the mosque of the Cheykhoun at Cairo. Figs 5-7 and 9-11: Marble wainscottings inlaid with stucco from Cairo. Fig 8: Marble wainscottings inlaid with stucco from Damascus...Arabian and Moorish mosaics are made partly of small pieces of coloured marble, partly of small clay plates, painted and glazed. Sometimes...the designs are cut into the marble plates and the deepenings filled in with coloured cement. In these mosaics the geometrical principle predominates...These mosaics served for covering the floors as well as the lower parts of the walls'. Plate 27 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898].

Partager
Pinterest
Twitter
Facebook
Copier le lien
Email

Ajouter à une autre Lightbox

Avez-vous déjà un compte? S'identifier

Vous n'avez pas de compte ? S'inscrire

Acheter cette image

Titre:

Arab-Moorish mosaic and glazed clay work, (1898). Creator: Unknown.

Légende: Voir la traduction automatique

Arab-Moorish mosaic and glazed clay work, (1898). 'Arabian-Moresque - Mosaic Work, Faïence - Figs 1, 3 and 4: Wainscottings of glazed clay from the Alhambra [Granada, Spain]. Fig 2: Wainscotting of glazed clay from the mosque of the Cheykhoun at Cairo. Figs 5-7 and 9-11: Marble wainscottings inlaid with stucco from Cairo. Fig 8: Marble wainscottings inlaid with stucco from Damascus...Arabian and Moorish mosaics are made partly of small pieces of coloured marble, partly of small clay plates, painted and glazed. Sometimes...the designs are cut into the marble plates and the deepenings filled in with coloured cement. In these mosaics the geometrical principle predominates...These mosaics served for covering the floors as well as the lower parts of the walls'. Plate 27 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

Personnalités:

FAIENCE DE DELFT • PROCHE-ORIENT • SYRIAN

Technique/matériel:

LITHOGRAPHIE COULEUR • LITHOGRAPH

Crédit:

Album / The Print Collector/Heritage Images

Autorisations:

Modèle: Non - Propriété: Non
Questions sur les droits?

Taille de l'image:

3832 x 5922 px | 64.9 MB

Taille d'impression:

32.4 x 50.1 cm | 12.8 x 19.7 in (300 dpi)

Mots clés:

A MOTIFS • ARABE • ARABIE • ARCHITECTURE INTERIEURE • ARCHITECTURE: STUC • ART, MOSAIQUE • BRIQUES • CARREAU DE FAIENCE • CARRELAGE • COULEUR • FAIENCE DE DELFT • FAIENCE • GEOMETRIQUE • GEOMETRIQUES, MOTIFS • ISLAMIQUE • LITHOGRAPHIE COULEUR • LITHOGRAPHIE • MARBRE • MATERIAU BRIQUE • MATERIAU FAIENCE • MATERIAU STUC • MOSAIQUE • MOSAÏQUES • MOTIFS GEOMETRIQUES • PIERRE MARBRE • PIERRE • PROCHE-ORIENT • RELIGION • ROC • ROCHE • ROCHER • STUC • SYMETRIE • SYMÉTRIQUE • SYRIAN • TECHNIQUE: STUC • TUILE