Selection: Watercolors

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Watercolors

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alb3900773
HUGO SIMBERG. The Garden of Death. Date/Period: 1896. Painting. Watercolour and gouache on paper. 17.5 × 16 cm (6.8 × 6.2 in).

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alb3603973
Tree Branches. Artist: Charles Reginald Aston (British, Birmingham 1832-1908 Birmingham). Dimensions: sheet: 9 1/2 x 13 in. (24.1 x 33 cm). Date: 1852-1908. Aston came from Birmingham and trained as an architect before turning to landscape painting. He traveled in Britain and to Italy to seek subjects exhibited at the Royal Academy and Royal Institute of Painters in Watercolours in London, and joined the latter in 1882. In this study, closely observed bark, moss and foliage convey a reverence for nature which, together with the artful placement of the branches, suggests an admiration for John Ruskin and the Pre-Raphaelites.

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alb3651235
Crouching Nude in Shoes and Black Stockings, Back View. Artist: Egon Schiele (Austrian, Tulln 1890-1918 Vienna). Dimensions: 19 in. × 12 3/4 in. (48.3 × 32.4 cm). Date: 1912.

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alb3656779
Pines Along the Shore. Artist: Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856-1910 Saint-Clair). Dimensions: 21 1/4 x 25 3/4 in. (54 x 65.4 cm). Date: 1896. Henri-Edmond Cross was a practitioner of the Neoimpressionist style of painting, a short-lived avantgarde movement in the late nineteenth century which emphasized the use of separate touches of interwoven pigment to achieve greater vibrancy of color in the observer's eye. In Pines Along the Shore, painted in the south of France overlooking the Mediterranean, Cross weaves and layers separate brushstrokes, building his paint surface in a tapestry-like fashion from cool tones on the pine grove floor to brilliant foliage at the water's edge to softer hues in the sky and mountains beyond.

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alb4101179
HENRI DE TOULOUSE-LAUTREC. Poster for the novel Reine de joie, moeurs du demi-monde by Victor Joze. Dimensions: 151.5 cm x 100 cm, 137 cm x 93.2 cm, 159 cm x 107 cm.

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alb3671049
Gustav Mahler. Artist: Emil Orlik (Austro-Hungarian, Prague 1870-1932 Berlin). Dimensions: sheet: 18 5/16 x 12 1/4 in. (46.5 x 31.1 cm) plate: 12 1/8 x 7 15/16 in. (30.8 x 20.2 cm). Date: 1903.

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alb315709
Jane Austen.

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alb3732119
ALBRECHT DÜRER. The Rhinoceros. Dated: 1515. Dimensions: sheet (trimmed to image): 23.5 x 29.8 cm (9 1/4 x 11 3/4 in.). Medium: woodcut.

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alb3601190
Landscape with Waterfall. Artist: Friedrich Christian Klass (German, Dresden 1752-1827 Dresden). Dimensions: sheet: 9 13/16 x 14 5/16 in. (25 x 36.3 cm). Date: late 18th-early 19th century.

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alb2037231
Dante Gabriel Rossetti / 'Dante's Vision of Rachel and Leah', 1855, Watercolour on paper, 35 cm x 31 cm.

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alb3609106
In a Welsh Pine Wood. Artist: James Thomas Watts (British, Birmingham 1850-1930 Liverpool). Dimensions: 9 7/8 x 13 3/4 in. (25.1 x 34.9 cm). Date: ca. 1891. Based in Liverpool, Watts specialized in painting woodland landscapes at different seasons, using oils or watercolors. He may have shown work at London's Royal Academy in 1891. Dappled touches of watercolor are applied to describe strongly lit trees, autumn leaves, and moss-covered rocks. The vibrant washes appear unmuted by blotting, as brilliant hues are cleanly juxtaposed - as in the blue and yellow strokes that from the mossy rock - in a technique that is both painterly and sharply realistic.

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alb3899454
VINCENT VAN GOGH. Irises. Date/Period: 1889. Painting. Oil on canvas. Height: 711 mm (27.99 in); Width: 930 mm (36.61 in).

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alb4156621
Wassily Kandinsky (Moscow, 1866-Neuilly-sur-Seine, 1944). Delicate Tension. No. 85 (1923). Watercolor and ink on paper. 35.5 x 25 cm.

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alb4105956
REMBRANDT. Militia Company of District II under the Command of Captain Frans Banninck Cocq, Known as the 'Night Watch'. Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as 'The Night Watch'. Dating: 1642. Place: Amsterdam. Measurements: h 379.5 cm × w 453.5 cm × w 337 kg × w 170 kg.

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alb4118305
Jabiroe (Jabiroe mycteria). Draughtsman: Aert Schouman. Dating: 1770. Measurements: h 382 mm × w 256 mm.

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alb352316
Map of heavens earth showing theory of earth planets and zodiac, c.1543 by Nicholas Copernicus.

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alb4101311
HENRI DE TOULOUSE-LAUTREC. Poster for the American tour of May Milton. Dimensions: 88.4 cm x 69.2 cm, 79.8 cm x 61.1 cm, 107 cm x 84 cm.

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alb3901998
JAN VERMEER. Het melkmeisje / The Milkmaid. Date/Period: Ca. 1660. Painting. Oil on canvas. Height: 45.5 cm (17.9 in); Width: 41 cm (16.1 in).

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alb2036958
Pablo Picasso / 'La Femme qui Pleure' (Weeping Woman), Study for Guernica, 1937, Pencil on paper, 29 x 23 cm.

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alb3906618
HENRI DE TOULOUSE-LAUTREC. Jane Avril. Date/Period: 1893. Print. Color lithograph Color lithograph. Height: 1,279.65 mm (50.37 in); Width: 914.40 mm (36 in).

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alb1999343
HENRI DE TOULOUSE LAUTREC. Henri de Toulouse-Lautrec / 'La Modiste', 1900, Oil on cardboard, 61 x 49.3 cm.

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alb4157070
HENRI DE TOULOUSE LAUTREC. Henri de Toulouse-Lautrec (Albi, 1864-Langon, 1901). Yvette Guilbert (1893). Gouache and charcoal on paper. 54 x 37.5 cm.

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alb3903968
MARY CASSATT. Under the Horse-Chestnut Tree. Date/Period: 1896 - 1897. Print. Drypoint and aquatint in colors Drypoint and aquatint in colors. Height: 482.60 mm (19 in); Width: 390.65 mm (15.38 in).

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alb352395
CONRAD MARTENS. "Beagle" in Ponsonby Sound.

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alb2069060
ANTONIO MARIA ESQUIVEL. Antonio María Esquivel y Suárez de Urbina / 'The Contemporary Poets. A Reading of Zorilla at the Painter's Studio', 1846, Spanish School, Oil on canvas, 144 cm x 217 cm, P04299.

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alb4156826
Gustave Moreau (Paris, 1826-1898). The Voices (ca. 1880). Watercolor and gouache on paper. 22 x 12 cm.

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alb2036478
SIGMUND WALTER HAMPEL. Allegory on musical creation of Haydn.

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alb3990233
Mary Cassatt, Autorretrato, 60 x 41.1 cm. Acuarela. 1878.

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alb3638636
The City Rout. Artist: In the manner of Richard St. George Mansergh St. George (Irish, ca. 1750-1798). Dimensions: sheet: 9 3/4 x 13 15/16 in. (24.7 x 35.4 cm). Publisher: Published London by Matthew Darly (British, ca. 1720-80 London); Published London by Mary Darly (British, 1760-1781). Date: May 20, 1776. Two elaborately dressed, coarse looking women face one another at a "rout" or social gathering for City of London tradesmen and their wives. Members of this class had recently grown wealthy through trade and could afford to ape the aristocracy. The image suggests that the adornments chosen by these party-goers are ill-suited to their bulky forms and graceless manners. In addition to richly embellished gowns and elaborate high hair-dos, one woman wears long ostrich feathers - expensive status symbols made au courant by Georgiana, Duchess of Devonshire. Refreshments carried by a short liveried waiter with unkempt hair underscore the mixture of low class and high taste. Elegant jelly glasses perch above a down-to-earth pie and foaming tankard of ale.

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alb3790656
Francisco de Goya y Lucientes / 'The Sleep of Reason Produces Monsters'. 1797 - 1799. Etching, Aquatint on ivory laid paper.

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alb3606150
JOHN GREGORY CRACE (BRITISH, LONDON 1809-1889 DULWICH), AND SON. Design for the Decoration of the Drawing Room at Eastnor Castle, Hertfordshire. Artist: John Gregory Crace (British, London 1809-1889 Dulwich) , and Son. Dimensions: sheet: 15 3/8 x 19 13/16 in. (39.1 x 50.4 cm). Date: 19th century.

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alb3627113
Songs of Innocence and of Experience: The Tyger. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. One of Blake's best-known verses, "The Tyger," comes from the Songs of Innocence and of Experience. Blake originally produced this small, richly illustrated collection of short lyric verses as two separate books, in 1789 and 1794, then combined them into a single volume in the latter year. Although its small, colorful format recalls a children's book, its message is sophisticated and complex. Innocence and Experience contrast human existence, before and after the Fall. The pastoral poems in Innocence express religious faith and acceptance, and exhibit fine detail and flowing lines; the bardic verses in Experience, by contrast, convey disillusionment and anger, and employ bolder outlines. Published during the height of the Terror, the French Revolution left its mark on the second book. Blake produced only twenty-four copies of the combined volume; this page comes from one of the last, prepared about 1825 for the painter and printmaker Edward Calvert (1799-1883). Its deep, saturated hues and distinctive ornamental borders (found on only one other copy) contrast with the lighter, paler colors of editions printed three decades earlier. The book remained in the Calvert family until the late nineteenth century; in 1917, it became the first work purchased for the Metropolitan Museum's new Department of Prints by its distinguished first curator, William M. Ivins, Jr.

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alb3904435
NADAR. Alexander Dumas père (1802-1870). Date/Period: 1855. Photograph. Salted paper print Salted paper print. Height: 247.65 mm (9.75 in); Width: 188.91 mm (7.43 in).

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alb3787579
MARIANO FORTUNY Y MARSAL. Mariano Fortuny (Copy after Velázquez, Diego Rodríguez de Silva y) / 'Menippus, detail (copy after Velázquez)'. 1866 - 1868. Watercolour, Gouache / tempera on paper.

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alb3790538
Francisco de Goya y Lucientes / 'This is what you were born for (Disasters of War, 12)'. 1810 - 1814. Wash, Etching, Burin, Drypoint on paper.

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alb3714052
GIOVANNI BATTISTA BRACELLI. From "Bizzarie di varie Figure". Dated: 1624. Medium: etching.

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alb3732706
RAPHAEL. Bindo Altoviti. Dated: c. 1515. Dimensions: overall: 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) framed: 86.2 x 70.8 x 8.4 cm (33 15/16 x 27 7/8 x 3 5/16 in.). Medium: oil on panel.

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alb3614579
The Picking-up Machinery in the Bows of the Great Eastern. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 6 × 9 in. (15.3 × 22.8 cm). Date: 1865-66. One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing machinery on the deck of the Great Eastern used to bring the cable back onto the ship when faults or other problems developed. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.

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alb1308603
Adam Smith (1723-1776) y el pensamiento económico internacional. Aguafuerte.

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alb3905782
PETER PAUL RUBENS. Portrait of the Artist. Date/Period: 1623. Painting. Oil on Panel. Height: 85.7 cm (33.7 in); Width: 62.2 cm (24.4 in); Thickness: 0.5 cm (0.1 in).

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alb3739403
CHRISTOPH BOCKSTORFER. Emperors Charles V and Ferdinand I. Dimensions: sheet (trimmed to plate mark): 19.9 x 27.6 cm (7 13/16 x 10 7/8 in.). Medium: etching (iron).

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alb3602239
Yellow and Blue. Artist: Charles Demuth (American, Lancaster, Pennsylvania 1883-1935 Lancaster, Pennsylvania). Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: 1915.

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alb3703350
GIOVANNI BATTISTA BRACELLI. From "Bizzarie di varie Figure". Dated: 1624. Medium: etching.

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alb2019344
Paul Klee / 'They're Biting', 1920, Drawing and oil on paper, 31,1 x 23,5 cm.

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alb3707651
MARY CASSATT. Woman Bathing. Dated: 1890-1891. Dimensions: plate: 36.5 x 26.6 cm (14 3/8 x 10 1/2 in.) sheet: 47.9 x 31.2 cm (18 7/8 x 12 5/16 in.). Medium: color drypoint and aquatint on laid paper.

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alb3906613
HENRI DE TOULOUSE-LAUTREC. Divan Japonais. Date/Period: 1893. Prints-Posters. Crayon, brush, spatter and transferred screen lithograph, printed from four stones in olive-green, red, yellow and black. Height: 810 mm (31.88 in); Width: 623 mm (24.52 in).

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alb352265
'Chinese farmers harvesting rice'.

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alb3625317
From Ávila. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 12 1/2 x 18 1/2 in. (31.8 x 47 cm). Date: ca. 1903.

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alb2037204
'Farmers planting tea'.

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alb3607537
Rembrandt in a Cap, Open Mouthed and Staring: Bust in Outline (copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 1 15/16 x 1 3/4 in. (5 x 4.5 cm) Sheet: 2 1/8 x 1 15/16 in. (5.4 x 4.9 cm). Printer: Leonard Leibowitz. Date: 17th century.

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alb4273768
El María Pita, buque fleteado para Real Expedición Filántropica de la Vacuna, saliendo del puerto de la Coruña en 1803. Grabado de Francisco Pérez.

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alb3680901
Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 9 x 16 9/16 in. (22.8 x 42 cm). Date: 1531-76.

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alb3790769
MARIANO FORTUNY Y MARSAL. Mariano Fortuny / 'Idyll'. 1868. Watercolour, Gouache / tempera on paper.

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alb2036557
Nicolas-Eustache Maurin / 'The Mexican Alaida with Hernan Cortes in his tent', 19th, Engraving.

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alb2042078
Maurice Ravel at piano, lithograph.

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alb504517
Franz Peter Schubert (1797-1828) engraving XIXth century.

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alb3711519
JAN ZIARNKO. The States General of France (Les Etats Generaux de France). Dated: 1614. Medium: etching.

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alb345961
Portarit of Claudio Monteverdi (1567-1643), italian composer with the costume of venetians, manuscript, XVIIth century.

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alb3901995
JAN VERMEER. De Soldaat en het Lachende Meisje / Officer and Laughing Girl. Date/Period: Ca. 1657. Painting. Oil on canvas. Height: 50.5 cm (19.8 in); Width: 46 cm (18.1 in).

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alb372457
View of Kensington High Street , 1898 by Walker, engraving.

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alb3681109
Marriage of Queen Victoria, February 10, 1840. Artist: After Sir George Hayter (British, London 1792-1871 London). Dimensions: Sheet (trimmed within plate): 13 1/2 × 11 1/4 in. (34.3 × 28.5 cm). Engraver: Charles Eden Wagstaff (British, active 1798-1850). Printer: Day & Co. (London). Publisher: Henry Graves & Company (London). Sitter: Queen Victoria (British, London 1819-1901 Isle of Wight); Prince Albert of Saxe-Coburg and Gotha (Coburg, Germany 1819-1861 Windsor). Date: 1844. Queen Victoria married Prince Albert in the Chapel Royal, St. James's Palace, on the morning of February 10, 1842. Hayter, who had painted the coronation, was commissioned to depict this ceremony also, and Wagstaff's engraving reproduces his 1842 painting (Royal Collection). The couple join hands before the Archbishop of Canterbury, and their union is witnessed by 56 members of the court and royal family. Most of the attendees sat to Hayter between 1840 and 1841, including Victoria in her "bridal dress, veil, wreath & all," and the artist even included himself sketching at lower right.

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alb3906686
WILLIAM TURNER OF OXFORD. Stonehenge - Twilight. Date/Period: Ca. 1840. Drawing. Watercolor. Height: 270 mm (10.62 in); Width: 397 mm (15.62 in).

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alb344110
Nijinsky in Swan Lake by Barbier, 1913.

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alb3601513
New Inventions of Modern Times [Nova Reperta], The Invention of Book Printing, plate 4. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: Sheet: 10 5/8 × 7 7/8 in. (27 × 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Fourth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men working at the book mill. In the background a man prepares paper for printing in the press depicted on the right. In the center of the foreground a young boy lays out the newly printed paper for proof-reading. On the left workers set type to be printed.

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alb3733910
WINSLOW HOMER. Under a Palm Tree. Dated: 1886. Dimensions: sheet: 38.5 × 30.8 cm (15 3/16 × 12 1/8 in.). Medium: watercolor on wove paper.

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alb3730383
WILLIAM HOGARTH. The South Sea Scheme. Dated: 1721. Medium: etching and engraving.

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alb4101548
Portrait of artist Leonardo da Vinci, Magonio, after Giuseppe Bossi, 1800 - 1899. Dimensions: h 248 mm × w 165 mm. Material: paper. Technique: engraving.

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alb3605915
Rocky Landscape with Sleeping Shepherd. Artist: Philip Heinrich Dunker (German, Bern 1780-1836 Nuremberg). Dimensions: sheet: 5 11/16 x 8 3/16 in. (14.5 x 20.8 cm). Date: 1817.

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alb3606355
Purple Iris. Artist: Charles Demuth (American, Lancaster, Pennsylvania 1883-1935 Lancaster, Pennsylvania). Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: ca. 1920.

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alb3902601
JOSEPH WRIGHT OF DERBY. An Iron Forge. Date/Period: 1772. Painting. Oil paint on canvas. Width: 1320 mm. Height: 1213 mm.

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alb3787259
Francisco de Goya y Lucientes / 'Cartloads to the cemetery'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper.

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alb3736521
LOUIS-PIERRE HENRIQUEL AFTER PAUL DELAROCHE. Peter the Great of Russia. Medium: engraving.

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alb2037205
'Chinese farmers sieving rice'. 19th century, Watercolour.

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alb3788267
Francisco de Goya y Lucientes / 'I saw it'. 1810 - 1814. Etching, Burin, Drypoint on ivory paper.

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alb3611160
The Rehearsal of the Ballet Onstage. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 21 3/8 x 28 3/4 in. (54.3 x 73 cm). Date: ca. 1874. There are three similar versions of this scene, and their precise relationship has bedeviled scholars for decades. The largest, painted in grisaille (Musée d'Orsay, Paris), appeared in the first Impressionist exhibition in 1874. The two others, tentatively dated the same year, are in the Metropolitan's collection. This painting probably preceded the version in pastel (29.100.39), which is more freely handled. The importance that Degas attached to the composition is evident in the preparatory drawings that he made for almost every figure, from the dancer scratching her back in the foreground to the woman yawning next to the stage flat.

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alb3787569
Francisco de Goya y Lucientes / 'Those specks of dusts'. 1797 - 1799. Etching, Drypoint, Japanese chisel, Burnished aquatint on ivory laid paper.

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alb3896453
EGON SCHIELE. Selbstbildnis mit gestreiftem Hemd / Self-Portrait with Striped Shirt. Date/Period: 1910. Drawing. Height: 443 mm (17.44 in); Width: 305 mm (12 in).

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alb3736361
WINSLOW HOMER. A Sick Chicken. Dated: 1874. Dimensions: overall: 24.7 x 19.7 cm (9 3/4 x 7 3/4 in.). Medium: watercolor, gouache, and graphite on wove paper.

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alb2069761
Francisco de Goya y Lucientes / 'Disparate de toritos. Lluvia de toros', 1887, Spanish School, Etching; aquatint on paper, 243 mm x 355 mm, G03070.

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alb3666360
Renard Falsely Accuses His Father of Conspiring Against the Lion from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm) Sheet: 3 15/16 × 4 3/4 in. (10 × 12.1 cm). Date: 1650-75.

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alb3611696
Mural from the Temple of Longing ?Thither?. Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879-1940 Muralto-Locarno). Dimensions: 11 7/8 × 15 1/2 in. (30.2 × 39.4 cm). Date: 1922.

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alb3649593
Deck of Great Eastern, Aft: the Paying-out Machinery. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 9 13/16 x 14 3/16 in. (25 x 36 cm). Date: 1866. One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the paying out machinery on the deck of the Great Eastern in 1866. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.

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alb3787433
MARIANO FORTUNY Y MARSAL. Mariano Fortuny / 'Lanscape at Portici'. 1874. Watercolour, Gouache / tempera on paper.

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alb3732631
EDWARD HOPPER. Evening Wind. Dated: 1921. Dimensions: plate: 17.78 x 20.96 cm (7 x 8 1/4 in.) sheet: 33.34 x 39.37 cm (13 1/8 x 15 1/2 in.). Medium: etching in black.

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alb3630045
LEON BAKST. Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912. Artist: Léon Bakst (Russian, Grodno 1866-1924 Paris). Dimensions: 26 5/8 x 19 1/4in. (67.6 x 48.9cm). Date: Dated 1922. Léon Bakst was already an experienced portraitist, illustrator, and set designer in 1909 when he joined with Serge Diaghilev to found the Ballets Russes. This design for a costume to be worn by the renowned male dancer Vaslav Nijinsky (1890-1950) demonstrates Bakst's involvement with Symbolism and Art Nouveau, as well as his dramatic use of color and sensuous line.

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alb3700886
WINSLOW HOMER. Sketch for "Hound and Hunter". Dated: 1891/1892. Dimensions: overall: 35.4 x 50.7 cm (13 15/16 x 19 15/16 in.). Medium: watercolor on wove paper.

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alb3651365
Les Gourmands. Artist: Anonymous, British, late 18th century. Dimensions: Sheet (trimmed within plate): 10 7/8 × 8 3/8 in. (27.6 × 21.2 cm). Sitter: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: 1780-1820. This anonymous print satirizes who men at table stuffing themselves with food, served by eager waiters who bring a roast chicken, plum pudding, and large drinking cup. The diners resemble James Boswell and Dr. Johnson.

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alb3745927
PIETRO TESTA. The Symposium. Dated: 1648. Dimensions: sheet: 31.2 × 43.6 cm (12 5/16 × 17 3/16 in.) plate: 45.8 × 38 cm (18 1/16 × 14 15/16 in.). Medium: etching.

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alb3599603
Fish Series, No. 5. Artist: Charles Demuth (American, Lancaster, Pennsylvania 1883-1935 Lancaster, Pennsylvania). Dimensions: 8 x 13 in. (20.3 x 33 cm). Date: 1917.

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alb3788053
Francisco de Goya y Lucientes / 'Rabble (Disasters of War, 28)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.

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alb3645284
Board Room of the Admiralty (Microcosm of London, plate 3). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Hill (American (born England), London 1770-1850 Clarksville, New York). Dimensions: Sheet: 9 3/4 × 11 1/2 in. (24.8 × 29.2 cm) Plate: 9 1/2 × 11 1/4 in. (24.2 × 28.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: January 1, 1808.

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alb3893780
CARL LARSSON. Karin by the shore. Date/Period: 1908. Painting. Watercolor on paper Watercolor on paper. Height: 54.30 mm (2.13 in); Width: 75 mm (2.95 in).

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alb3715786
ABRAHAM BOSSE. The Parable of the Wise and Foolish Virgins. Medium: complete set of 7 etchings on laid paper with portfolio cover.

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alb345137
Watercolour scene from opera "La Boheme" by G. Puccini 1900.

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alb319456
Thomas Edison, American inventor. 1880.

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alb514073
GEORGE FRENCH ANGAS. Utimuni nephew of Zulu warrior hero and chief Shaka Zulu from G.F. Angas. Images taken from the kafirs Illustrated , 1849.

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alb3632786
Coin (Thaler) Showing Frederick the Great. Culture: German. Dimensions: Diam. 1 9/16 in. (4 cm); thickness 1/16 in. (0.2 cm); Wt. 0.8 oz. (22.7 g). Date: 1751.

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alb3699969
E. J. REYNOLDS. Footstool Top. Dated: c. 1941. Dimensions: overall: 30.8 x 23 cm (12 1/8 x 9 1/16 in.) Original IAD Object: overall: 9 1/2" high, 13" long, 10" wide. Medium: watercolor and graphite on paperboard.

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alb3729504
ISADORE GOLDBERG. Drop-leaf Table. Dated: c. 1938. Dimensions: overall: 32.2 x 40.3 cm (12 11/16 x 15 7/8 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paperboard.

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alb3970333
Drawings of Christoph Weiditz from his 'Trachtenbuch'.

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alb3700031
GEORGE FAIRBANKS. China Cupboard. Dated: 1935/1942. Medium: watercolor, graphite, colored pencil, and pen and ink on paper.

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alb4116584
ANSELMUS BOËTIUS DE BOODT. Onbekende plant. Ben rubrum valeriana rubra. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 276 mm × w 184 mm.

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alb3713932
ATTRIBUTED TO EUGèNE DEVéRIA. Woman Seated in a Bower. Dimensions: overall: 25.2 x 19.6 cm (9 15/16 x 7 11/16 in.). Medium: watercolor with gum arabic over traces of graphite on wove paper.

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alb4116330
ANSELMUS BOËTIUS DE BOODT. Damask flower (Hesperis matronalis). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 255 mm × w 171 mm.

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alb3707524
HARMENSZOON VAN RIJN REMBRANDT. Polander Leaning on a Stick. Dated: c. 1632. Medium: etching.

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alb4133767
Charlemagne, plate seven from The Nine Worthies. Nicolaes de Bruyn (Flemish, 1571-1656); published by Assuerus van Londerseel (Flemish, 1572-1635). Date: 1594. Dimensions: 118.5 × 91 mm (image); 123 × 92 mm (plate); 180 × 149 mm (sheet). Engraving in black on cream laid paper. Origin: Flanders.

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alb3660265
Mrs. William Gordon Ver Planck and Her Son Samuel Hopkins Ver Planck. Dimensions: Sight: 5 x 4 in. (12.7 x 10.2 cm). Date: ca. 1828. The first woman to become a member of the National Academy of Design, Anne Hall grew up in Connecticut and received her first painting lessons from the miniaturist Alexander Robertson. By 1817, she was publicly exhibiting her charming works, most of which depicted members of her family. Her studies of old master paintings led her to adapt religious compositions to group portraits; these richly colored little paintings attracted a great following and one contemporary observer likened her portraits of children to an "elegant and well-arranged bouquet.".

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alb3661585
ALBRECHT DÜRER. Nemesis (The Great Fortune). Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 14 in. × 10 1/16 in. (35.6 × 25.5 cm). Date: ca. 1501.

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alb3719614
CARL STREHLAU. Looking Glass with Decorated Glass Panel. Dated: c. 1939. Dimensions: overall: 49.3 x 33.5 cm (19 7/16 x 13 3/16 in.) Original IAD Object: 25"high; 13"wide. Medium: watercolor, colored pencil, and graphite on paper.

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alb3900649
WINSLOW HOMER. Rowing Home. Date/Period: 1890. Works on Paper. Watercolor on paper. Height: 13.7 in (34.9 cm); Width: 19.8 in (50.4 cm).

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alb3902974
JOHN GERRARD KEULEMANS. Three Huia (Heteralocha acutirostris). Date/Period: Ca. 1900. Watercolours. Watercolour and gouache. Height: 529 mm (20.82 in); Width: 724 mm (28.50 in).

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alb4106916
Gezicht op kust van Strongoli ten zuiden van de Cap delle Alice. Vue de la côte de Strongoli, au midi du cap delle Alice (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 114 mm × w 528 mm.

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alb4116202
ANSELMUS BOËTIUS DE BOODT. Gewone flamingo (Phoenicopterus roseus); vlaemijnck. / phaenicopteros. / flamandt. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 297 mm × w 175 mm.

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alb3717782
AMERICAN 20TH CENTURY. Table-drop Leaf. Dated: 1935/1942. Dimensions: overall: 29.3 x 35.5 cm (11 9/16 x 14 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, gouache and graphite on paper.

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alb3735646
JACQUES CALLOT. Charles De Lorme. Dated: 1630. Medium: etching.

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alb3735717
FRITZ BOEHMER. Ornamental Shadow Box. Dated: c. 1939. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.). Medium: watercolor, gouache, and graphite on paper.

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alb3606221
Puckaly in Moor Cast, from Indian Trades and Castes. Artist: Anonymous, Indian, 19th century. Dimensions: sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm) mount: 18 1/4 x 14 1/4 in. (46.4 x 36.2 cm). Date: ca. 1840.

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alb3660761
The Secret History of Crim Con, Fig 1. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 11/16 × 14 15/16 in. (27.2 × 38 cm) Plate: 9 3/4 × 13 3/4 in. (24.8 × 34.9 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: August 18, 1808.

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alb3661389
Design for window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 11 7/8 x 6 3/8 in. (30.2 x 16.2 cm) Other (Design): 6 5/8 x 3 1/16 in. (16.8 x 7.8 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century.

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alb4156356
PAUL CÉZANNE. Paul Cézanne (Aix-en-Provence, 1839-1906). Bottle, Carafe, Jug and Lemons (1902 - 1906). Watercolor on paper. 44.5 x 60 cm.

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alb3705070
JEAN LOUIS FORAIN. The Supper at Emmaus (third plate). Dated: 1910. Medium: etching.

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alb3702431
WILLIAM CALLOW. The Harbor of St. Malo at Low Tide. Dated: c. 1850. Dimensions: overall: 25.5 x 42.9 cm (10 1/16 x 16 7/8 in.). Medium: watercolor with gouache over graphite on wove paper.

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alb4156593
Winslow Homer (Boston, 1836-Proust Neck, 1910). Deer in the Adirondacks (1889). Watercolor on paper. 35.5 x 50.7 cm.

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alb3668440
Two Women Looking at Fabric in a Shop. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 1/4 x 5 1/2 in. (13.4 x 13.9 cm). Date: 19th century.

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alb3665653
Ferdinand Hodler at the Easel. Artist: Emil Orlik (Austro-Hungarian, Prague 1870-1932 Berlin). Dimensions: sheet: 10 1/8 x 6 3/8 in. (25.7 x 16.2 cm) plate: 8 1/8 x 5 in. (20.6 x 12.7 cm). Sitter: Ferdinand Hodler (Swiss, Bern 1853-1918 Geneva). Date: 1911.

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alb3723404
J. HENRY MARLEY. Cattle Brand. Dated: c. 1936. Dimensions: overall: 34.4 x 24.1 cm (13 9/16 x 9 1/2 in.). Medium: watercolor on paper.

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alb3616016
Rustic Scene - A Woman Washing Clothes in a Stream. Artist: Anonymous, French, 18th century. Dimensions: 5 3/4 x 4 5/8 in. (14.6 x 11.7 cm). Former Attribution: Formerly attributed to Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). Date: 18th century.

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alb3743435
GWYNETH KING. Fashion Doll. Dated: c. 1937. Dimensions: overall: 39.7 x 26.8 cm (15 5/8 x 10 9/16 in.) Original IAD Object: 8" high. Medium: watercolor, graphite, and gouache on paperboard.

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alb3721257
J. HENRY MARLEY. Cattle Brand. Dated: c. 1936. Dimensions: overall: 33.9 x 23.4 cm (13 3/8 x 9 3/16 in.). Medium: watercolor on paper.

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alb3714945
INGRID SELMER-LARSEN. Shaker Woman's Cloak. Dated: c. 1936. Dimensions: overall: 42.7 x 20.9 cm (16 13/16 x 8 1/4 in.). Medium: watercolor, graphite, and colored pencil on paper.

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alb3708776
AMERICAN 20TH CENTURY. Unrigged Pack Saddle. Dated: c. 1932. Dimensions: overall: 40.5 x 30.7 cm (15 15/16 x 12 1/16 in.) Original IAD Object: 16" long. Medium: watercolor, graphite, and pen and ink on paperboard.

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alb3729184
HELEN D. BASHIAN. Crewel Embroidery. Dated: 1935/1942. Dimensions: overall: 54.5 x 38.9 cm (21 7/16 x 15 5/16 in.). Medium: watercolor and graphite on paper.

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alb3741123
ALPHONSE LEGROS. Meadow in Sunshine (Le pre ensoleille). Medium: drypoint and etching.

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alb3716968
JULIAN ALDEN WEIR. Dooryard, Buckets and Tree. Medium: etching.

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alb3722733
JAMES ABBOTT MCNEILL WHISTLER. Nocturne: Salute. Dated: 1879/1880. Dimensions: overall: 15.3 x 22.7 cm (6 x 8 15/16 in.). Medium: etching.

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alb3699648
ALLART VAN EVERDINGEN. Straw Hut Seen from Behind. Dated: probably c. 1645/1656. Medium: etching with engraving.

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alb3602134
View of the Wilderness at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: William Marlow (British, Southwark, London 1740/41-1813 Twickenham, London). Dimensions: Sheet: 11 1/16 x 17 13/16 in. (28.1 x 45.2 cm). Date: 1763. The magnificent Chinese Pagoda of Kew Gardens, designed in 1757 by William Chambers, has always attracted much attention. In the mid-eighteenth century, the pagoda fueled a rage for such buildings throughout Europe, and even today remains one of London's main tourist attractions. This sheet forms part of an album with delicately rendered watercolor drawings made by Marlow after Chambers's designs, later published as Plans, Elevations, Sections and Perspective Views of the Gardens and Buildings of Kew in Surrey, the Seat of Her Royal Highness, the Princess Dowager of Wales (London, 1763). In addition to this general view, there are three other detailed and architecturally precise drawings of the pagoda in the album, showing its design, construction, and decoration. At a time when a general vogue for chinoiserie was based on imaginative visions of the Orient rather than accurate information, Chambers, who visited China in the 1740s, was able to create stylistically accurate, authentic designs. His findings were published in Designs for Chinese Buildings (1757) and in Dissertation on Oriental Gardening (1772), his most influential work on garden architecture.

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alb3745507
JEAN PESZEL. Dress. Dated: c. 1939. Dimensions: overall: 29.9 x 23 cm (11 3/4 x 9 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard.

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alb3737982
PAUL KLEE. Feuer Clown I (Fire Clown). Dated: 1921. Dimensions: overall: 21 x 17.5 cm (8 1/4 x 6 7/8 in.). Medium: watercolor on paper, laid down on cardboard.

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alb3664398
Speculum Romanae Magnificentiae: Longitudinal Section Showing the Interior of Saint Peter's Basilica as Conceived by Michelangelo (Published in 1569). Artist: Etienne DuPérac (French, ca. 1535-1604). Dimensions: sheet: 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm). Date: 1551, 1558-61. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).

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alb3719059
J. HENRY MARLEY. Cattle Brand. Dated: c. 1936. Dimensions: overall: 34.3 x 24.2 cm (13 1/2 x 9 1/2 in.). Medium: watercolor on paper.

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alb3698343
KATHARINA PRESTEL AFTER ALBRECHT DüRER. Three Lansquenets. Dated: 1780. Medium: etching.

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alb4113771
JAN HENDRIK WEISSENBRUCH. View of the Dekkersduin, with old gas factory and mill in the offing. Draughtsman: Johan Hendrik Weissenbruch. Dating: 1834 - 1903. Measurements: h 207 mm × w 264 mm.

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alb3717346
ANNE GER. Shaker Cabinet. Dated: c. 1936. Dimensions: overall: 26.3 x 21.5 cm (10 3/8 x 8 7/16 in.). Medium: watercolor and graphite on paper.

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alb3724533
ANN GENE BUCKLEY. Woman's Slipper. Dated: c. 1937. Dimensions: overall: 35.4 x 24.6 cm (13 15/16 x 9 11/16 in.). Medium: watercolor, pen and ink, and graphite on paper.

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alb3708209
CORNELIS VAN DALEN THE YOUNGER AFTER CORNELIS JONSON VAN CEULEN. Anna Maria van Schurman. Dated: c. 1650. Medium: engraving.

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alb3715575
PAUL CEZANNE. Mont Sainte-Victoire [recto]. Dated: c. 1895. Dimensions: overall: 21.1 x 27.4 cm (8 5/16 x 10 13/16 in.). Medium: watercolor over graphite on wove paper.

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alb3721745
CHARLES CASEAU. Flask. Dated: c. 1936. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.). Medium: watercolor, graphite, and goauche on paperboard.

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alb3736224
WINSLOW HOMER. Hauling in the Nets. Dated: 1887. Dimensions: sheet: 35.6 × 50.8 cm (14 × 20 in.). Medium: watercolor over graphite on wove paper.

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alb3743621
TROY KINNEY. Swallows. Dated: 1919. Medium: drypoint.

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